![]() 19th century composer Alexander Scriabin also claimed to see music as colors.Īnother aspect used in conjunction with key signature to evoke emotion in the listener is the tempo or speed that the music is played. This colored hearing is known as synesthesia. For example, a major sixth was seen as both fire red and warlike. In the 17th century, Athanasius Kircher developed a system of colors associated with musical intervals and then tied them to emotions. Also as a general rule, major keys sound happy, light, and regal the minor keys are typically sad, dark and introspective. Each additional sharp in the key signature adds more brightness and sparkle to the sound, while each flat contributes softness, pensiveness and even melancholy. The key of G, which has one sharp, sounds brighter and lighter. As a rule, it was believed that music in the key of C sounds strong, simple and pure.
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